We look at your current designs, audience and channels together, then decide what needs to be made and where to start.
Tell me about your projectDesign and digital systems. Built around what your business needs.
I’m Ali Cem Bozma, a graphic designer based in Istanbul. Through Grafikcem Creative I design brand identities, campaigns, social media and websites, adding motion, AI-assisted visuals or automation where a project needs them.
I work out what you need by listening to you.
One brand. A patchwork of designs.
Your social posts look one way, your website another. Each new piece of work means explaining the brand all over again.
Another image may not be the whole answer. A better starting point could be deciding how your identity, campaigns and content should look together. The series shown here is the single visual language I built for YOS's three scents.
What needs to change? The design starts there.
It might be a new identity, a campaign or ongoing content. I shape the work around the problem you’re trying to solve.
Identity, campaign, social, web: whatever you need, in the same project.
5.0
Google Maps rating
The person you brief is the person designing it.
From brief to handoff, I am your point of contact. Your questions and my answers stay in one conversation.
What is it like to work with me? Let my clients tell you.
From my Google Maps reviews, as written. The English versions are translations.
The design you need, made for where it will be used.
A brand identity, a social series or a campaign launch. The areas below can be combined to suit your project, and we agree the deliverables, formats and scope together.
Feedback tied to the design, the design tied to the brief.
We agree at the start on what we’re making. From there, I review the designs against that brief, gather revisions and check the files before handoff.
Brief
What you want to say, who it’s for and where it will appear.
Scope and schedule
We discuss deliverables, revision scope and the project schedule at the start.
Files and versions
I keep track of the current design and the version approved for delivery.
Visual sources
I review the sources and usage conditions of the visuals used in the project.
Feedback
We discuss changes on the design itself, in concrete terms.
Production approach
I decide where to use AI, and how much final editing it needs, based on the work.
What you’ll receive, where you’ll use it, agreed from the start.
Source files, stock assets and AI use can differ by project. Let’s agree on what’s included and the relevant usage conditions before the work begins.
Source file scope agreed
Intended uses discussed
Confidentiality needs reviewed
Stock asset terms reviewed
AI use addressed in the scope
Review the design as the work takes shape.
Brief, visual approach, production, review and handoff.
We agree on what you’ll review at each stage. When a major change is needed, we discuss its effect on scope and timing.
From one design to several channels.
Let’s agree on the scope, channels and handoff formats before the work begins.
Before we
get started.
We can talk about brand identity, campaign or social creative, web experiences, AI-assisted visuals, automation, or a custom digital system. If the solution is not clear yet, start with the task that costs you the most time.
Tell me what you need, where it will be used and any target date. We’ll clarify deliverables, scope and timing before moving to a proposal.
Included revisions are defined in the proposal. Refining a chosen design and moving to a new concept are different requests; changes to scope are discussed separately.
It helps me explore concepts and produce images and video. I then choose and refine the output to suit the brand, the product and where it will be used.
I don’t promise perfect product accuracy, uniqueness or unrestricted rights in AI output. The relevant material and tool terms are reviewed for each project.
You receive the source files listed in the agreed deliverables. Included formats and third-party asset conditions are clarified in the proposal.
Usage is defined for the project, including the channels and scope. The terms are set out in the proposal or agreement.
Stock images, fonts and other third-party assets may have their own licences. We review these separately from the design’s general usage terms.
We agree on the schedule alongside scope and review stages. Late materials or scope changes can affect delivery, so we review any changes together.
Use the contact form or email [email protected]. Your needs, intended channels and target date are enough to start the conversation.
Pricing depends on scope, deliverables, formats and timing. Share what you need so we can define the right scope for your project.
You can get in touch about a smaller piece of work too.
I assess the fit based on the work and schedule. Let’s keep the deliverables to what you actually need.
Let’s talk about recurring design, content-production or workflow support.
We’ll agree on content frequency, formats, review stages and what each period covers. I set up the way we work separately for each brand.
On project work I usually take half at the start and the rest on delivery; ongoing support is paid monthly. The exact plan and cancellation terms are written into the proposal.
Yes, I’ll sign one before work starts if the project needs it. Just mention it in your first message.
Before sharing sensitive files, let’s discuss how to share them and any agreement the project needs.
I review confidentiality requirements for each project.
I show examples of my client work on the Creative pages. To present a project as a case study with results, I need:
- The client's written permission to publish
- A record of who owns which asset
- The source of any result described
- The list of files that were delivered
- Removal of anything that must stay confidential
Real project breakdowns and illustrative visuals are identified separately. A portfolio entry does not imply business results that have not been documented.